Portfolio

  • All Works
  • Penny Rugs
  • COVID-19 Masks
  • Jewelry
  • Public Art
  • Social Justice

About my art


Penny Rugs

My hands have held needle and thread since I was about 7 years old. Since that time, I've used variations on those materials to create many different things. I've knit, crocheted, beaded, sewn, quilted, embroidered…about 10 years ago I became fascinated with the 18th/19th C. art of the simple penny rug. Made of cast-off pieces of cloth and sewn with circle upon circle, their charm laid in their combinations of colors and materials, with simple stitching. I love looking for new ways to interpret materials, colors, and subject matter in my interpretive pennyrugs.

COVID-19

After making a number of utilitarian masks for family and friends, I decided to make several as art objects. Not meant to be worn but acting as a symbol of a time of hardship around the world, but more beautiful than useful, I have so far created two. One is an homage to my love of pennyrugs and its message layes in it use of colors, beading and embroidery. The other mask reflects the mood of the country and its racial upheaval right now…a statement on Black Lives Matter; its message is in its symbolism.

Jewelry

Over the years I have often turned my beads and metalworking into jewelry pieces. Using natural stones, glass blown beads, silver fittings, ceramic pieces and African glass trade beads I have created necklaces, bracelets and earrings. After taking metalworking, I found I enjoyed working with silver and copper and some of those pieces ended up not as jewelry, but as embellishments on my pennyrugs!

Public Art

Two years ago I decided to pick up my knitting needles again, after 30 years. After a few small projects to remember how to knit and purl, I embarked on my first public art project, my Winter Tree. Since winter is a very depressing time for me I decided I would decorate the tree in front of my house in beautiful colors to look at all winter. I started with circles of browns and growing up through greens, then multiple colors to finally end in a rainbow of colors at the top,I covered the tree as high as I could reach with a ladder. I enjoy seeing it every day and it seems to be enjoyed by passersby as well. I added a rope of different flowers and some extra leaves towards the top for those dull winter days when my tree has lost its real leaves.

My second public art piece covers the telephone pole in the alley behind my house. It is called Caution Ahead and is a crocheted piece with added lettering, people, and other embellishments. I started this one because the sanitation workers kept hitting the original pole with their huge trucks until it needed to be replaced. Hopefully, this will be a humorous reminder to BE CAREFUL!

Not Forgotten: Native American Women

Violence to women of color is a well-known problem in our society today. For Native American women it is a crisis. Four out of five Native women are affected by violence today. This project hopes to shine a light on this grievous women's issue, in the hope that all women of all colors will come together to support and protect each other.

Social Justice

My social justice creativity began with making felt protest banners for marches. The two shown in this gallery were carried in many marches. In 2016 I began the Hamsa Peace Project. Knowing the atrocities we heard about on the news were the tip of the ice burg, I began an investigation into terrorist acts across the world that would occupy me for a year. The resulting artwork encompassed acts of terrorism over 1 year, in 32 countries. Arranged by month, each felt hamsa is embroidered with an interpretation of an event and the reverse side is embroidered with a countering positive message. Other smaller artworks have addressed immigration, global warming, and endangered species.